Publications
Books
Artistic Labour of the Body (Brill, forthcoming)
Articles
2024 ‘Architectures of Social Crisis in Melanie Gilligan’s Films Against Capitalism’, in FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur, no. 73 (18 January 2024): 44–59.
2020 ‘Negation’, in Kunst und Politik. Jahrbuch der Guernica-Gesellschaft, Keywords for Marxist Art History Today, Bd. 21 (2020), 97–106
2019 ‘Contradictions in Time: Fascism’s use of “Woman” and Feminist Resistance in Austria’, Third Text, 33.3 (2019), 355–73
2018 ‘Disfiguration, Obliteration: What Remains of the Body in the Works of Unica Zürn and VALIE EXPORT’, Performance Research, 23.8 (2018), 39–48
Book chapters
2020 ‘The Vanishing of the Family in Plumes of Smoke’, in Feminist Takes: Early Works, eds. by Antonia Majaca, Rachel O’Reilly and Jelena Vesic, (Berlin: Sternberg Press), pp. 210-225
2020 ‘Howardena Pindell’, in Feminist Avant-Garde, ed. by., Gabriele Schor, (Prestel), pp. 149-151
2017 ‘The Fate of Labour in Love’, in Objects of Feminism, Art theoretical writings from the Academy of Fine Arts 10, eds. by., Maija Timonen and Josefine Wiström (Helsinki: The Academy of Fine Arts at the University of the Arts Helsinki, 2017), pp. 75-95
Essays
2022 ‘How Does One Get to Own a Mountain’, review of Potosi Prinzip Archiv at Kunstraum Schwaz, in Brand-New-Life Magazine, August 2022
2017 ‘Fraternising in Austria’, in Art Monthly 410, October 2017, pp. 41-42
Reviews
2016 Alex Fletcher, Rose-Anne Gush and Sebastian Truskolaski, ‘From Berg to Beyoncé,’ review of Adorno and Politics: 1st Istanbul Critical Theory Conference, Boğaziçi University, Radical Philosophy 199 (September – October 2016), pp. 65-67
2020 Review of Rachel Middleman, Radical Eroticism, Women, Art and Sex in the 1960s (University of California Press), Sculpture Journal, pp. 96-100
2016 Review of On Photography, Walter Benjamin, ed. and trans. by Esther Leslie (Reaktion Books) in Philosophy of Photography Vol. 7, Issue 1 – 2 (2016), pp. 171-183
2023 Review of 'The Other: Reimagine the Future' at Kunsthaus Graz, in Camera Austria, November 2023, pp. 69-71
2018 Review of ‘Antarctica, an exhibition on Alienation’, at Kunsthalle Wien, Vienna, in Art Monthly, 422, December 2018, pp. 23-24
2018 Review of ‘Barbara Kapusta, The Giant’ at Gianni Manhatten, Vienna, in Flash Art, November 2018
Exhibition Texts
2022 LOCK, Rachel Fäth, at Loggia Loggia Loggia, Munich
2022 Komme Gleich, Johanna Magdalena Guggenberger at Wonnerth Dejaco, Vienna
2020 Funferal, Olivia Coeln at Georg Kargl Box, Georg Kargl Fine Arts, Vienna